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Microscope Equipments

CMA1

UV FILTER (Lens Protection Filter)

 

Uncovered Camera lens has to be cleaned again and again. Its coating is wipped off, polish diminishes & lens becomes soft & blurred. A UV Filter is a permanent lens protector which helps to keep the sharpness & original of camera lens intact

 

37 mm,40.5 mm,43 mm,46 mm, 48 mm

 

49 mm,52 mm, 55 mm,58 mm

 

62 mm, 67 mm, 72 mm

 

77 mm, 82 mm

 

 

CMA 2

LENS HOODS

 

Lens Hoods prevents extraneous & unwanted light falling on the lens and increases sharpness . Also saves the lens for accidental bumps & knocks.

 

Metal Lens Hoods For Normal Lenses

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm

 

43 mm, 46 mm, 48 mm

 

Folding Rubber Lens Hoods For Normal Lenses

 

This Lens hood has double threaded mount and accepts the lens cap or any other filter attachment without removal of the hood from the camera lens. The camera case can be closed easily with this accessory attachment.

 

Wide Angle Metal Lens Hoods

 

(For Wide Angle lenses of FL 28 & 35mm & Mini Zoom Lenses)

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm, 67 mm , 72 mm

 

77 mm

CMA 3

EYE PIECE ADAPTERS (For SLR Cameras)

 

It is fitted onto the view finder. It helps Cameraman in quick, clear & comfortable focussing by cutting off unwanted lights. Its UV glass protects the viewfinder from dirt & dust.

 

PENTAX, MINOLTA, CANON, OLYMPUS

 

NIKON F/F-2 WITH UV & RUBBER CUP

 

NIKON F-3 /801 WITH UV & RUBBER CUP

NIKON WITH UV - WITHOUT RUBBER CUP

CMA 4

CABLE RELEASE ( With auto-lock)

 

Provided with metal woven sleeve, finger grip and auto-lock system. Aunique attachment for preventing camera movement when the camera is being used on tripod, copy stand or copipod at slow shutter speeds.

 

12" (30 cms)

 

16" (40 cms)

 

20" (50 cms)

CMA 5

BLOWER BRUSH

 

It blow & wipes dust from lens. It does not rub, thus saves the lens from scratches.

CMA 6

CLOSE-UP LENSES

 

Depending upon diopter, close -up lenses help you go closer to subject and help you to enlarge a particular portion from a group photograph and to capture details of fingerprints, insects, flowers, jewellery & countless other subject in all their tiny detail, Because of short distance , depth - of - field being shallow, use of smallest lens stop is recommended. Close -up lenses do not interfere with the automatic, diaphragm of the master lens , nor do they need any exposure compensation and can be used singly or in combination.

 

Close-Up Kit ( 3 Piece Set)

 

.+1, +2, +3 MACRO

 

49 mm, 52 mm

 

55 mm

 

58 mm

 

Close-Up Kit ( 4 Piece Set)

 

.+1,+2,+4, MACRO

 

49 mm, 52 mm

 

55 mm

 

58 mm

 

Close Up Lens (IN INDIVIDUAL PACKING)

 

+1 +2 +3 +4

 

49 mm, 52mm 40 40 40 42

 

55 mm 42 42 42 45

 

58 mm 45 45 45 50

 

62 mm, 67 mm, 72 mm 165 165 165 N.A

77 mm 250 250 250 N.A

CMA 7

EXTENSION TUBE ( Five Section Set)

 

* He Mount - To fitted onto camera body.

 

* She Mount - Accepts the camera lens.

 

* Three numbers intermediate sections of 6mm, 12mm & 24mm Length

 

The attachment is to be fitted to in between the camera lens and camera body . By using the complete set we get life size magnification with optimum sharpness. The intermediate sections can be used single or in combination as per required magnification. An exposure compensation of two stops recommended for life size magnification.

 

NIKON PENTAX--K

 

CANON

CMA 8

SLIDE COPYING HOLDER

 

In Simple when your camera with its lens is equipped with extension tube or extension bellow, our slide copying holder can be employed for holding slide mounted of any thickness for duplication of slides with little cropping & alignment

 

SALIENT FEATURES

 

a) Helical Focussing mount ( Bellow focussing like movement)

 

b) Drop-in frame with Springly grip for parallel & precise slide-holding

 

c) Provided with white opal diffuser for uniform light distribution, to reduce contrast and prevent hot spots.

 

NIKON PENTAX-K MINOLTA

 

CANON YASHICA OLYMPUS

CMA 9

CAPS

 

The word caps stands for protection. Made of aluminium or unbreakable plastic they cover front & rear mount of the lens and camera bodies, protecting them from dirt , dust & dents.

 

Snap-On-Type Front Lens Caps (Plain)

 

49 mm, 52 mm, 55 mm

 

46 mm, 48 mm, 58 mm

 

62 mm, 67mm

 

72 mm

 

77 mm, 82 mm

 

Snap-On-Type Front Lens Caps

 

(Embossed with camera names)

 

49 mm 52 mm 55 mm 46 mm

 

PENTAX NIKON

 

OLYMPUS COSINA

 

MINOLTA MINOLTA MINOLTA

 

CANON CANON

 

VIVITAR VIVITAR

 

YASHICA YASHICA YASHICA

 

Metal Front Lens Caps

 

49 mm

 

52 mm, 55 mm

 

58 mm

 

62 mm

 

40.5 mm, 43 mm, 46 mm, 48 mm

 

67 mm, 72 mm

 

77 mm, 82 mm

 

Rear Lens Caps

 

NIKON, PENTAX , CANON, MINOLTA, OLYMPUS

 

Camera Body Caps

 

NIKON, PENTAX , CANON, MINOLTA, OLYMPUS

 

STACKAP

 

It is a cap set for safe storage of same size accessories. Accessories in hand, screwed with each with other, from a group . The naked ends can then be covered with stackap (set of two caps), on of inner and other having outer threads. Its multiple advantage are compact storage, easy carrying, occupying minimum space and instant selection of require accessory.

 

49 mm

 

52 mm, 55 mm

 

58 mm

 

62 mm

 

67 mm, 72 mm

 

77 mm, 82 mm

CMA 10

FLASH CORDS

 

Used for connecting the camera to flashgun for synchronisation , with different plugging systems at one end to suit various make of models of flashguns.

 

STRAIGHT CORDS

 

CRC Vesta/ Achiever/ Simpex

 

Starblitz

 

Kako 928

 

Raynox / Hotshot/ Amblitz

 

Double Nipple

 

Canon / Toshiba

 

502 / Mega 80

 

202 / Agil 160/ Nishan/ Popular 606

 

Single ( one side of fit camera, other side open )

 

Vivitar / National (Genuine)

 

Metz -45 CTI (Genuine)

 

Metz -45 CLI , 3, 4 - 45 CT3, 4 - 60 CT4

 

COILED CORDS

 

502/ Mega 80

 

202/Agil 160/ Nishan/ Popular 606

 

EXTENSION CORDS

 

Having male & female plugs, they render extension to flash cords, enabing to sychronies the flashguns at variable disances from the camera

 

1 Meter

 

2 Meter

 

3 Meter

 

5 Meter

 

8 Meter

CMA 11

MULTI WAY PLUG

 

With the help of this adapter upto three flashguns can be operated at a time. It has four plugs on male & three female. Male Plug is attached to camera's cord connecting point and female plugs are used for plugging extension cords, thus synchronising upto three flashguns at various distances.

CMA 12

RCA/RCA CORD SET (Coaxial Cable)

 

Used for Dubbing (copying) or connecting to a TV set with video and audio input sockets. Strictly qualifies the required international standard.

CMA 13

STUDIO LIGHT SYNCHRO CORD ella Cord )

 

For Problitz / Prolite

 

( Common For both the models)

CMA 14

SLAVE UNIT

 

Used to synchronise the second flashgun without wire upto 60 feet and can work at a greater distance upto 100 feet by using high power master flashgun. Even it works 180 digree sensing angle, it is advisable to set unit facing towards the master flashgun mounted with your camera. Unaffected by sunlight , responds only to flashlight (Speedlight).

CMA 15

POWER PACK ( For Metz Flashguns)

 

This empty pack replaces the original unserviceable unit.

CMA 16

FLASH BRUACKETS

 

MULTIPURPOSE FLASH BRACKET

 

* The Bracket can be used hand held can also be mounted on the camera stand.

 

* Flashgun can be rotated 360 0 for Bounce lighting

 

* Detachable " Flash Mount Shoe " can also be fixed on the tripod, to use the flashgun " off the camera"

 

* To shoot transparency & negative simultaneously two cameras can be mounted on the bracket side by side .

 

* " Bounce shoe" and " Synchro Shoe " can also be mounted on the bracket

 

REVERSIBLE FLASH BRACKET

 

* The Bracket can be used right angle down and right angle up in both ways.

 

* Specially designed for outdoor portraits to avoid shadows on the face and in particular under the chin.

 

* For Bounce lighting flashgun can be rotated 360o .

 

* Detachable " Flash Mount Shoe " with tripod socket enable to use the flashgun of the camera.

 

BAR SHAPE FLASH BRACKET

 

The straight bracket made of flat metal strip with fixed " Flash Mount Shoe", Rubber mat and a Movable Screw .

 

L OR Z SHAPE FLASH BRACKET

 

Used for mounting the flashgun by side of the camera. The fitted bracket is made of flat metal strip with rubber mat, fixed " Flash Mount Shoe ", Hand Shaped Plastic Grip for perfect holding and movable screw

 

FLASH BRACKET FOR METZ FLASH GUNS

 

FLASH BRACKET FOR METZ FLASH GUNS

 

SPARE " FLASH MOUNT SHOE"

CMA 17

HOT SHOE ADAPTERS

 

HOT SHOE

 

This adapter converts camera's "hot shoe contact"into "flash cord connecting point

 

SYNCHRO SHOE

 

This adapter provides flash cord provision to the flashgun having hot shoe contact only. Provided with two synchro points

 

MULTIPURPOSE HOT SHOE

 

MULTIPURPOSE HOT SHOE PROFESSIONAL MODEL

 

Both the models have two synchro points and one test fire button. Help using one or two off camera flashguns and their test-check without operating shutter.

 

VIVITAR HOT SHOE

 

All metal, unbreakable with flash connecting point and test fire button. Replaces the broken shoe of vivitar flashguns.

 

STARBLITZ HOT SHOE

 

Replaces the broken shoe of Starblitz flashgun. Features same as in Vivitar hot shoe.

CMA 18

BOUNCE SHOE

 

Sturdy, Compact, with tripod socket. Bounces 360o horizontal and 180o vertically. Can be attached to the camera's accessory shoe and also on the tripod for providing indirect lighting to your subje

CMA 19

MICROSCOPE ADAPTER

 

It is an attachment used for photomicrography in the medical , biological and scientific fields . It connects the camera body to adapter draw tube of the microscope. The optics of the microscope works and the camera lens is not used. Gives upto 400x magnification. Suitable for focussing stage microscope with drawtube of 25mm outer dia and 10x ocular.

 

PENTAX (SCREW)

 

NIKON, PENTAX-K, MINOLTA, YASHICA

 

CANON

CMA 20

LENS REVERSAL

 

With this adapter the camera lens can be fitted in its reverse position onto the camera body. An inexpensive way in capturing subject from 4-5"with optimum sharpness.

 

NIKON, PENTAX-K, MINOLTA, YASHICA

 

CANON

CMA 21

T-2 MOUNT ADAPTERS

 

Some of the non-auto camera lenses, slide-duplicators, bellow focussing units, astronomical telescope, microscope adapter and a number of other attachment come in T-2 thread mount. All these attachment can be mounted onto various SLR camera bodies with the help of relevant adapters.

 

NIKON PENTAX-K MINOLTA

 

CANON

 

PENTAX (SCREW)

CMA 22

LENS CONVERSION ADAPTERS

 

Pentax (screw) Lens can be used on certain bayonet mount SLR bodies with the help of relevant adapters. They allow shooting at all distance upto infinity. However, metering is by stopdown method

 

PENTAX MOUNT ADAPTER 'K'

 

MINOLTA LENS MOUNT CONVERTER 'P'

 

MINOLTA LENS MOUNT CONVERTER 'P'

 

CANON LENS MOUNT CONVERTOR 'P'

CMA 23

STEPPING RINGS (Step-up & Step-down)

 

They help adapting filter & accessories of unmatched size onto the front of camera lens mount . Where as no precaution is required in using step-up rings; care has to be taken while using step-down rings to avoid vignetting.

 

58-49, 58-52, 58-55

 

55-49, 55-52, 55-58

 

52-49, 52-55, 52-58

 

49-52, 49-55, 49-58

 

37-49, 40.5-49, 43-49, 62-58

 

72-62, 72-67

 

67-62, 67-72

 

62-67, 62-67

 

82-77, 77-82

 

77-82, 72-77

 

72-82, 82-72

CMA 24

VCR BATTERY CHARGING CLIP

 

This connector is used to charge the battery pack of the video camera. One side of the connector is connected with the "Battery pack" and the other side is connected with "Battery Pack Charging Socket" of the A.C Adapter.

CMA 25

VIDEO LIGHT ADAPTER (Metal Base)

 

Alternate of lightman. The attachment when coupled with halogen light can be mounted onto the accessory shoe of video camera, enabling the cameraman to shoot independentaly, whenever the need arises

CMA 26

WIND SHIELD (Microphone Foam Cover of Video Cameras)

 

By lapse of time this part of microphone undergo decay thus effecting the sensitivity of the microphone and needs its instant replacement. CENTRAL offers yor the item , real substitute of the original of various models of video cameras.

 

M-7, M-5 & Similar models

 

M-1000, M-3000, M-9000

CMA 27

EYE PIECE ASSEMBLY

 

FOR M-1000 VIDEO CAMERA

 

FOR M-3000 VIDEO CAMERA

 

The item comprises of three parts

 

1) Rubber eye cup 2) Magnifying glass 3) Detachable housing.

 

The original assembly becomes inoperative and needs replacement because of:

 

* With the lapse of time, the rubber eye cup looses its original properties and also appearance in the shape and bacomes unusable.

 

* Ofiginal magnifying glass as made of plastic, the scratches appears on its surfaces a little early , its polish diminishes resulting an unsharp and blurred view.

 

* The hinges of the detachable housing becomes loose making the lock nonfunctional or breakaway and the housing is separated from the electronic viewfinder.

 

CENTRAL Eye Piece Assembly replaces the worn-out original unit perfectly.

CMA 28

SPARE EYE RUBBER CUP

 

The worn out eye rubber cup of electronic viewfinder of video cameras can be replaced with this spare. The rubber compound used, does not harm the skin and is soft in nature.

 

FOR M-7, M-1000, M-5 AND SIMILAR MODELS

 

FOR M-3000 AND SIMILAR MODELS

CMA 29

SPARE ACCESSORY SHOE FOR VIDEO CAMERAS

 

This spare replaces the damaged accessory shoe of video camera. Comes in two models to suit different cameras

 

FOR M-7, M-1000, M-5

 

FOR M-3000 , M-8000, M-9000

CMA 30

CAMERA SYNCHRO POINT

 

The difective & irrepairable "flash cord connecting point" of cameras can be replaced with our " Synchro Point" manufactured as per international standard under strict quality control

CMA 31

FILM PICKER

 

Film-leader can easily be extracted from sealed or closed cassette in daylight. No scratch or film, no light leakage. Easy to operate. Changing -bag darkroom not required.

CMA 32

CASSETTE OPENER

 

A Simple device for easy opening of 35mm film cassettes.

CMA 33

RIGHT ANGLE SCOPE (Mirrorattach)

 

Having the appearance of a telephoto lens it is an indispensable wonder attachment for " CANDID" photography. For shooting " true to life" pictures, it allows to take discreet right angle shots without subject's knowledge, in particular where it is absolutely impossible to aim the camera towards the subject. As the camera is not aimed at the subject, it helps to capture the subjects natural mood and spirit and completely eliminates camera conscious reactions like feeling of shyness, not desiring to be photographed , or a completely innatural expression. To avoid vignetting it use is restrited with telephoto lenses only with 70mm focal length and above.

 

49mm, 52mm, 55mm, 58mm, 62mm

 

72mm

 

77mm

CMA 34

DOUBLE EXPOSURE

 

With this attachment you can capture two different snaps, side by side, in required composition also you can make your subject appear to reflected in a lake by turning the camera around . The aperture be used with wide-angle lenses: From F/8 to F/4 and with telephoto lenses: From F/22 to F/8 . The lighting must be the same for both exposures and the camera must be mounted on a tripod.

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm, 67 mm, 72 mm

 

77 mm

CMA 35

TWO FIELD LENS (Split Field)

 

The two field lens is used for that special shot where two subject one "distant" and the other " closer", both need sharp focussing within the same picture frame. The attachment mounted in rotating rings helps to get a sharp and magnified foreground while maintaining the background in focus. For example a wrist watch" against a "clock tower" or a " flower" against a "mountain" can be sharp focussed within the same picture frame.

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm , 67 mm, 72 mm

CMA 36

DIFFUSERS (Soft-Effect Filters)

 

These filter graded as "Diffuser-1","Diffuser-2","Diffuser-3", diffuse highlights, reduce contrast and as such can be used for taking pictures with variable soft effects. As the filter soften the skin-texture, the portraits of ladies can be made very charming and attractive, a dreamy landscape picture can be produced, particularly in commercial photography. Effect is strongest with 50-100 mm or bigger focal length lenses at larger apertures. Use of wide angle lenses or shooting at smaller aperture is not recommended. The diffusion is minimal with "Diffuser-1",more stronger with " Diffuser -2" and strongest with " Diffuser-3".

 

D-1 D-2 D-3

 

DUTO) (SOFTONE) (DIFFUSER)

 

49 mm, 52 mm 105.00 105.00 105.00

 

55 mm, 58 mm 120.00 120.00 120.00

 

62 mm, 67 mm, 72 mm 175.00 175.00 175.00

 

77 mm 250.00 250.00 250.00

 

DIFFUSER KIT (Set of D-1, D-2, D-3)

 

49 mm, 52 mm

 

55 mm, 58 mm

 

62 mm, 67 mm, 72 mm

 

77 mm

CMA 37

RAINBOW FILTER LINEAR

 

49 mm, 52 mm

 

72 mm

 

77 mm

CMA 38

STAR FILTERS 2,4,6,8 Flares

 

Star Filters create eye catching star like patterns from brilliant point of light. The brighter & smaller the light source in the scene or subject , the greater and sharper effect is . They add to the artistic & decorative effects of night -litted scenes, stage-light decorations, sunrise, sunset, reflection on jewellery, sunlight on water and subjects showing specular hightlights. Depending on the pattern you can produce stars of 2, 4, 6 or 8 Flares. The number of flares can be increased by combining two star filters , although diffusion will be more noticeable.

 

IN NON-ROTATING RINGS 2F/4F 6F 8F

 

49 mm , 52 mm , 55 mm, 58 mm 45.00 45.00 50.00

 

62 mm , 67 mm, 72 mm 90.00 90.00 95.00

 

77 mm , 82 mm 125.00 135.00 140.00

 

IN ROTATING RINGS

 

49 mm , 52 mm , 55 mm, 58 mm 55.00 58.00 60.00

 

62 mm , 67 mm, 72 mm 110.00 115.00 120.00

 

77 mm , 82 mm 155.00 160.00 165.00

CMA 39

VARI - CROSS SCREEN ( Dual Cross Star)

 

The attachment consists of two independent rotating rings, each fitted with " Two Flare Star" . By rotating one or the other rings, parallel flare lines intercross and produce various fascinating cross angle star effect in still & video both.

 

49 mm, 52 mm , 55 mm , 58 mm

 

62 mm , 67 mm, 72 mm

 

77 mm, 82 mm

CMA 40

CENTRE IMAGE SAND

 

It produces crisp, clear , sharp image in the centre, surrounded by smoky screen , gradually fading toward edges.

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm, 67 mm, 72 mm

 

77 mm, 82 mm

CMA 41

CENTRE IMAGE SOFT

 

Around a Sharp-focussed centre the surrounding area shades out focus. So clear central portion is surrounded by imaginative, dreamy, multicoloured and baloon studded environment.

 

49 mm, 52 mm, 55 mm, 58 mm

 

62 mm, 67 mm, 72 mm

CMA 42

MULTI IMAGE LENS

 

multi image lenses create identical images of 2,3,4,5,7 & 9 in PARALLEL, TRIANGULAR and RADIL patterns of the same subject on the same picture frame. Effect is strongest with a dark background and at larger aperture. The rotaing ring help proper subject composition. Can used with still & video both.

 

2P 3P 3R 4R 5R 7R 9

 

49 mm, 52 mm 82.00 82.00 82.00 82.00 82.00 95.00 95.00

 

55 mm, 58 mm 95.00 95.00 95.00 95.00 95.00 105.00 105.00

CMA 43

VIDEO FILTER KIT (Set of six)

 

Consisting one piece each of

 

* Multi image 5R

 

* Multi Image 3R or 3P

 

* Spectra Star 4 Flare in rotating ring

 

* Spectra star 8 Flare in rotating ring

 

* Centre image Sand Screen

 

* Centre Image Soft Screen

 

49 mm, 52 mm

 

55 mm, 58 mm

CMA 44

MASK FRAMES WITH HOOD (Set of Six)

 

FOR VIDEO & STILL BOTH

 

The six different shaped "mask- frames" allow you to concentrate on the desired subject and to eliminate unnecessary detail in the surrounding. Selection of the subject is favourably important to capture the spirit of the subject , whether a portrai, a nude or a landscape. The sharper the cutoutshape of the pattern used. CENTRAL " Spacer Ring" be used to increase the distance of the attachment from the camera lens.

 

49 mm, 52 mm, 55 mm, 58 mm

CMA 45

SPACER RING

 

This adaoter functions as an extension ring to extend to camera accessories like multi image Lenses, Centre Image Lenges, Mask Frames from the camera lens in order to change the composition of the picture.

 

 

 

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